Owen Duff - intoxicated by London

With influences stemming from Rufus Wainwright & Sufjan Stevens and with a vibe reminiscent of Anthony & the Johnsons Owen Duffs new EP, Under, documents his arrival in London and his enamoured view of the city.  Owen has linked his music to interesting concept videos for each of the songs, including one using Google Earth to map out the song's narrative.

I recently got the chance to ask Owen some question and talk about what inspired the new EP:

What inspired the project?
For me songwriting or making anything is often a process of sublimation, whereby whatever I'm writing or creating helps to resolve or at least express thoughts and feelings that I may not be consciously aware of. The songs on the Under EP are a good example of that, I wrote them a long time ago in 2003-4 when I'd just arrived in London.

It seems London was your primary muse for the EP, is that right?
I had all these romantic notions of what it would be like to live here so moved down in a very cavalier way, without knowing anyone or having a steady job to go to.  The reality of it hit me pretty quickly and overwhelmingly, and while I was determined to stay it took me quite a while to find my feet. The song London You're My High is very ambivalent; on the one hand it's sort of a love song to the city but on the other it uses the dark imagery of addiction, which I think expresses how I felt at the time - intoxicated by London but also finding it pretty bleak.
The reason I kept the songs on hold for so long was that I wasn't able to record on a real piano at the time I wrote them. It was only more recently, when I paid to go into a studio and record a whole heap of things on a real piano, that I was able to get versions of the songs that I was happy to release.
 

Owen Duff - Morning Finsbury Park

There was actually a 'twin' EP to Under called 'Over', which was much bigger sounding, and more upbeat, with drums and trumpets and stuff, and then a whole instrumental section where a Steve Reich-esque arrangement of 'London You're My High' plays backwards over an electronic beat. It was quiteinteresting as an experiment but overall it didn't really work. 

Why did you decide to link the songs with videos?
The video aspect is something I've been meaning to get into for a while - I studied TV and Radio Production at university so it's something I've done before and have a long-standing interest in.

How did you come up with the idea of linking the song with google earth?
Because I'd written 'London You're My High' in my first year of living here I wanted to do something that summed up what had happened to me since then. I started drawing up a sort of bullet-point list of the big events in my London life from the past six or seven years, and then I got to thinking about the places those things had happened, which led me to plot out their locations on a map, which is when I had the idea to use Google Earth. I started off with quite specific descriptions but then made them more vague, partly for aesthetic reasons but mostly to make them universal enough that others would be able to identify with them.
 

Owen Duff - London You're My High

What came first the idea for the project or the songs?
Well the gap between the songs and the videos was obviously pretty long, but the ambition to make an EP or album about this city arose at the same time as writing the songs, so those two aspects were of it were simultaneous.  A big influence was New York Tendaberry by Laura Nyro, which I played constantly when I first moved to London. That album is still one of my absolute favourite things to listen to, and I think its central concept of a romantic paean to a big city very much resonated with me in the early days of being here.

 

You can find out more about Owen on his site owenduff.co.uk and you can download the Under EP from his bandcamp page for free.

Interview with Shane Beales

Liverpool based Singer-Song writer Shane Beales has just released his 4th EP Heavy Clouds describing it as "honest melodic music".  He released the EP for free, and recently played a set for BBC Radio Merseyside. In 2006 he began Project52 which saw him write, record and release a song a week for a year and Muzikreviews.com described him as ‘Quite the up and coming artist’. In this interview I asked him about how he went about writing the EP and what spared him on. 

So in the beginning, what made you want to write songs?

I grew up in a musical family and everyone was writing their own songs so as youngest child, it just seemed the thing you did when you were old enough!

Who influenced you as you began writing?

I used to live in Melbourne and there is a folk pop band called “My friend the chocolate cake” and their lead singer David Bridie was a huge influence when I first started. Simple piano songs – beautiful!  Also Radiohead, Ben Folds and Dave Matthews band plus of course, Jeff Buckley.

What do you say your muse is, what inspires you when you write?

I am inspired singing about hope, change and being confrontational! (hope I don’t sound too much like a politician.)

What’s you’re instrument of choice parts of ‘Heavy Clouds’ seem piano led, while other tracks are definitely guitar led?

Both I guess – quiet and loud! Most of my songs lend themselves to either one or the other, though I used to happily play piano for hours on end without getting blisters, which is more than I can say for the guitar.

When you come to write a song do you find you always approach it in a similar way? Do you have a formula?

My only formula is to trust my instincts, I tend to write quite quickly and later rue all of my mistakes!

Do you find your approach to writing a song like ‘Across the Sea’ differs from writing a song like Crunch?

Yes  - the lyrics for across the seas were very much tied in with the music from the beginning – whereas I had the idea for The Crunch initially just instrumentally and had to find some lyrics just in the nick of time before it was time to record the vocals.

You released ‘Heavy Clouds’ as a free download, why did you do this?  Do you think artists should have to give away there music for free?

I released it as free download for promotional purposes to reach new listeners and also to question what monetary value music deserves. Why is 79p a track is the right price for a download or £10 for a CD?  

Do you think it’s a necessity with how today’s music industry works? I don’t believe it’s absolutely necessary to give music away for free, it should be a decision made on the merits of each project. I would hope people don’t feel that they are forced to give music away.

Your new album ‘Heavy Clouds’ is available now, what can listeners expect from the EP?

Heavy, sometimes musically, sometimes lyrically, confrontational and ultimately uplifting. With a variety of sounds and entry points…

How would you describe your music, genre wise?  Your latest release, Heavy Clouds, seems quite rocky.

Alternative singer-songwriter I guess, It’s honest melodic music from the heart. Sometimes aggressive, sometimes gentle, always sincere.

What's coming up for you, any gigs or recording?

In August I’m moving to London, promoting Heavy Clouds EP and preparing for an album is next. Also playing with my wonderful band!

You can download Heavy Clouds for free at Heavy Clouds.com, You can also find out more about Shane on his Myspace and Site.  Heavy Clouds is also being sold as a Remastered Limited Edition on CD with super artwork for £9)