An Interview with Dead Cities

Continuing the string of interviews I've posted with local musicians and bands about how they go about writing their songs I recently got the chance to interview Ryan Wyatt, bass player with the multi instrumentalist Liverpool Folk-Rock band Dead Cities.

So in the beginning, what made you want to write songs?

Nothing really, Martin had a few tunes and hadn’t played for a while so me and Oli started playing on top of them and they sounded pretty good so we carried on for 3 months or thereabouts before we realised we were a band.


Who influenced you as you began writing?

Probably Martin without sounding cheesy, just because he had these songs lying about and me and Oli just threw anything over them we thought we could add.  After a while when we started doing songs from scratch with each other, I think it was obvious that people like Neil Young has an influence on us as a band and Led Zeppelin for me are always going to influence ideas I come up with.  The Beatles too and anything more contemporary we listen to as a whole together – Wild Beasts, Grizzly Bear, Fleet Foxes – there’s a lot of stuff in there.



So how did you all come together as a band?

I already knew both Oli and Martin, and they had played together in The Alterkicks. I had been playing in a few different bands around the same time, as well as my flat being in the same building as Oli’s, so it just kind of happened by accident really. Me and Oli had played in a few bands together already before Dead Cities, and as we lived in the same building as each other, and with Oli’s bedroom becoming a kind of local rehearsal room for bands we played in it, seemed the obvious choice for Martin to use me and Oli as the rhythm section.

Where did the name “Dead Cities” come from?

Martin had come up with a joke name which we would refer to ourselves as but when we realised we were turning into a band we just chose the name “Dead Cities” from a song title we had.  We managed to cut out all of the stresses involved in naming a band which is usually the biggest pain in the arse when starting a new project.


What would you say inspires you when you all write?

Wouldn’t be able to say to be honest as it can come from a film, book, concert you have been to, a noise you hear. For me I don’t really write as much as I usually help arrange or come up with melodies on top of existing chord structures so it is usually just something you think will add to a song for me.


You all play various instruments (live) but what’s you’re individual instrument of choice?

It would definitely be the bass as that is what I have played for 10 years in different bands and when people ask me to play with them it is usually to play bass. It’s the one instrument I feel completely comfortable on and never feel out of my depth on it. Since staring Dead Cities I have taken a real shine to the ukulele and find myself playing it everyday

Old Man (Live)

When you come to write a song do you find you always approach it in a similar way? Or do you have a formula as a band? (Do you write the songs as a band or do you write the lyrics and then approach the music as a band?)

It can work in different ways really.  Most of the time Martin will come in with a chord sequence and a melody and me and Oli will add what we think suits the song. It can result in me changing around different instruments to see what fits and Oli doing the same, then if we feel a song needs a change in direction or needs added sections one of us will usually come up with the idea of where to take it and it usually works without anyone thinking differently.  Sometimes we will literarily just write a song on the spot or in the studio and just take it there and then.


You grew from an acoustic band but have been branching out introducing other instruments, where do you see your musical direction going next?

Don’t have a clue and I would think that none of us do. We work on songs together and if they sound right they are in and if they don’t they will be put aside and we will work on something different. We might have 3 that we are working on all with different instrumentation that will sound like us but don’t sound alike so I think the sound always changes but can so easily come back to what it was we were doing at the start.  It’s all about how the song we are working on at the time feels. If it needs to be big it will end up big but if it needs to be soft it will be soft so I don’t think we ever have an idea of what the next track we work on will sound like.

What music are you all into at the moment?

I am into blues and have been for years and that is mostly what I listen to but I find I end up listening to a lot of music I hear friends playing or even listening to friends’ bands that I really look up to. At this very moment though it is The Movie Soundtrack to The Last Waltz by The Band which I just managed to get hold of at a record fair so that will probably be on my record player for the next month.


How would you describe your music, genre wise?

I wouldn’t know how to describe it really. If you say Folk people will expect Folk if you say Indie people will expect Indie and if you say Pop people will expect Pop I just say it’s a bunch of songs where we pass instruments about and try and create different sounding songs with just the three of us.


What's coming up in the summer? Recording?  Gigs?

I would imagine we will be going out and gigging over the summer as well as writing and looking at getting together more recordings for an album we hope to release this year. Unfortunately with being unsigned and some members working jobs and some unemployed the summer isn’t much different then other times of the year so you find you still push on and work as hard as any other time of the year. We have gigs starting to come in with Liverpool Sound City and one or two festivals so we will see what comes in and where they take us but in the mean time I suppose we will still just be writing, recording and drinking all of Oli’s tea and eating all of his digestive’s he tries to hide from us.

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You can find out more about Dead Cities and check out some of their music at: myspace.com/deadcitiesband

Stornoway, A Band On The Run - From Genre

Fuel Up (on Later With Jools Holland)

Stornoway are a band running from genre.  Genre has it's gifts and it's hindrances.  It can help people understand your music, it can help people who like similar bands discover you, it can help critics classify you. OK well that last one may not be a plus side but lets face it people like to classify stuff.  Be it types of South American tree, umbrella or in our case new bands. 

Stornoway have recently thoroughly disowned the folk labels that were thrust upon them from everyone from the BBC to the NME.  But why have they been pigeon holed into the wave of new folk artists?  Well because their debut album Beachcomber's Windowsill is undeniably folky, that's why.  I mean come on even the album name is folk to the hilt!  The production on the album is reminiscent of the Fleet Foxes and the parallels between contemporaries like Noah & The Whale, Sons of Noel and Adrian and Mumford & Son are their in the instrumentation; featuring songs with banjo riffs a-plenty in We Are The Battery Human,  fiddles in The Coldharbour Road and delicate acoustic guitars in The End of the Movie.  Stylistically they range between folk and the more raucous tracks like Watching Birds. 

I Saw You Blink (Official Video)

So this begs the question, what is folk music?  Well what does it bring to mind for you? For some when they hear the word folk they think traditional English folk music (which personally leads me to think of Morris Dancers and Maypoles), others think 60s folk revival.  Well the dictionary definition is as follows:

Folk

• plural noun 1 (also folks) informal people in general. 2 (one’s folks) one’s family, especially one’s parents. 3 (also folk music) traditional music of unknown authorship, transmitted orally. 4 before another noun originating from the beliefs, culture, and customs of ordinary people: folk wisdom.
  — ORIGIN Old English.

So then does modern folk music fit this definition?  Can we call Laura Marling and Mumford & Sons etc Folk?  Well no because we know who wrote their songs, they did.  Is their music traditional?  Well what's traditional? (Lets not go there right now we have enough on our hands with 'Folk'!)  Are they transmitted orally?  No.  We listen to their records.  So is anyone folk?  Arguably not by definition, no.

Zorbing (on Later With Jools Holland)

But who cares?  Stornoway like Marling and the Mumfords are all influenced by folk music, among many other genres.  So we should let Stornoway off with not wanting to be stereotyped as one of these new folk bands.  And their record has something none of the other bands have on theirs.  A Kazoo (on Watching Birds).

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Go listen to the album The Beachcomber's Windowsill now, available on spotify here.  They're also part of my nu-folk spotify playlist, along with a load of other great bands, which can be found here.

Review: Rachael Dunn's Alpha Ghost

Rachael Dunn’s Alpha Ghost delivers an engaging brand of soulful acoustic pop, with Dunn’s vocals beautifully conveying her image-laden lyrics overlaid on Alex Dunford’s skillfully crafted soundscapes.

The album opens with the soulful ‘Out in The Storm’, the bass line drives the song forward and flourishes of glockenspiel and lead guitar bring the track to life. This is contrasted by the albums eponymous track ‘Alpha Ghost’ with its simple acoustic feel and Rachael’s delicate vocals. The Mood changes with the darker ‘Closed Door’ its powerful lyrics and double tracked vocals reminding me of Alela Diane. ‘Falling Fast’ feels intimate with the piano adding greatly to the feel of the track. The expansive ‘Hold The Light’ continues the darker feel with crunching electric guitars and a feel reminiscent of Radiohead.

The second half of the album continues with the piano led ‘Violet’, Dunn resists the urge to overload the track instead opting for a simple, honest arrangement.

An unexpected gem comes in the form of the Stones-like ‘Walking Backwards’ with its catchy chorus, foot tapping percussion and more raucous lead guitar. This is immediately contrasted by the acoustic charm of ‘Hang in Time’ and the album’s most intimate track ‘Hide’. The simple acoustic arrangement closes the album beautifully. However it does make me think that perhaps some of the other songs would have benefited from a similar stripped back sound.

Alpha Ghost is a genre-spanning, varied record with Rachael Dunn’s soaring vocals being ably supported by multi instrumentalist and producer Alex Dunford. While I think some of the tracks could have benefited from a less slick production this does not detract from the engaging album Rachael Dunn has created.


The album is available now on Amazon and iTunes

You can also read my earlier interview with Rachael where she spoke about the making of Alpha Ghost here.



This was my first review written for LiverpoolAcoustic.co.uk

Some Cool up-beat Folk/Acoustic Songs!

Langhorne Slim - In the Midnight

Peggy Sue - Yo Mama

Blind Pilot - One Red Thread

Johnny Flynn - Tickle Me Pink

Rosewood Thieves - Murder Ballad in G Minor  (The EP version is brilliant.)

Noah And The Whale - Give A Little Love 

Emmy The Grat - Dylan

Matt Costa - Sunshine

Mumford & Sons - Little Lion Man

Fionn Regan - Lord Help My Poor Soul

Johnny Flynn - Leftovers

Mumford and Sons - The Cave

Matt Costa - Mr Pitiful

I'll add more when I think of them/find more.  If you have any songs you think should be up here let me know!

An Interview with Fly Lazurus Fly

North Wales musician, Fly Lazarus Fly is a label mate of mine on Binary Indy which led me to check out his music.  Having been impressed by his recent debut EP 'The Rundown' I thought I'd ask him a few questions about how he goes about making his music.  

So in the beginning, what made you want to write your own songs?

To be honest, I only really write for myself. If others like it and are interested then great! If not...  no worries. I like to play around with sounds and chords and try and make something that I myself would be happy to listen to.

Who influenced you as you began writing?

I'd probably say the 'Britpop' generation of music was my biggest influence (Blur, Oasis, The Verve, Cast) - then gradually I became more aware of other artists through these bands.

Do these people still influence you?

 

Do these bands still influence me?... hmmm... I would say only if they changed or varied their sound on each different album. Whichever band I listen to, I always hope that there is a different sound and 'feel' to each new release.

What’s you’re instrument of choice?

The guitar. It's the only one I'm averagely ok at. Looking back I wish I'd learnt to play the piano as well.

What do you say your muse is, what inspires you when you write?

Anything and everything. If there's something that I find particularly interesting then I'd try and incorporate it into something. Although at the moment, I would say there is a certain seasonal elements that influence the songs.

How do you approach song writing, do you find it is different each time or do you have a formula?
I generally just play around with different chords or sounds and try and fit words to it. It's a sloooow process though and can mean that sometimes it takes months to get something that fits and 'feels' right.


How would you describe your music, genre wise?  A lot of musicians struggle or are reluctant to categorise their music.

I don't really know and don't really mind. If I had the production facilities I would certainly like to add more instruments, but for the moment, acoustic is probably what best describes the current E.P.

You can listen to and download 'The Rundown' on Binary Releases here.

An Interview with... Me

I haven't interviewed myself that would be slightly egocentric! But when my EP was released a couple of days ago the label I'm on asked me some promotional questions here they are in full:

1. When not making music what do you do?

I’m a history student at Liverpool University, UK so that takes up a lot of my time, I also teach people to play the guitar which is pretty satisfying, but not as satisfying as writing music.

2. What was the first album you ever bought?

I’m having to think really hard about this. It might have been an Oasis album? Or it could have been Bob Dylan’s Highway 61 Revisited, I think it was Oasis, Dylan came later.


3. Who are your biggest influences?

I’ve had so many different phases of influence, when ever I discover new music it seems to spark something new in me when I’m writing songs. I’d have to say the band that made me want to pick up the guitar was Led Zeppelin; Jimmy Page is a brilliant guitarist. Zeppelin’s acoustic stuff like Hats off to Roy Harper, Bron Yr Aur and Battle of Evermore led me to folk music. I found Bob Dylan, he’s probably one of my biggest influences his lyric’s ability to create imagery are incredible. Neil Young too he’s in the same league as Dylan for me.

4. Favourite piece of equipment, software or instrument for getting your
sound?

I’d be lost without my guitar I'm rarely parted from it. Software wise Steinberg’s Cubase 5 is what lets me capture everything I make.

5. What is the biggest challenge you face in getting your music out?

The biggest challenge is getting it to the people who want to hear it, I’m on most of the major social networking sites. For a long time even my friends didn’t know I wrote music. But I found Myspace a few years ago and that changed things. But I think lately Myspace has been in decline so I’m trying to find new ways of making my music available. It’s a matter of the people who are passionate about music, discovering you I have to make it as easy as possible for them.

6. What was the most memorable party you have ever played at or been to?

The most memorable place I ever played was a festival in Liverpool, my band played a set in the pouring rain, in front of maybe a dozen people but that didn’t matter it was probably the first time I enjoyed playing live.

7. What's your opinion on the current copy right system, is it working
or does it need to go?

I think the music industry as a whole is suffering from a lot of problems. The copy right system we have at the moment does need some reform. I think the Creative commons license concept is great though. Things have to be fair, fair to the consumer and the musicians making the music.


8. If you weren't making music what would be your outlet?

I used to like art in high school and I often thought about studying art at college. I like creative writing too, short stories that sort of thing. So maybe I’d try those.

9. Where do you want to be in 5 years time?

Ideally I’d like to be making music, whether it’s paying my bills or not isn’t really important at the moment. I’m studying for a degree so that’s my fall back.

10. Anything else you want to tell people?

Hmm. I guess if you’ve read this you’re interested in my music and who I am so thank you very much.

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My EP is available to preview now along with 2 free downloads.  It's on sale for just £2, please go and download the free tracks!   CLICK HERE NOW

LiverpoolAcoustic.co.uk

My interviews with musicians and singer songwriters can now also be found at LiverpoolAcoustic.co.uk at the moment my most recent interview with Rachael Dunn can be found here.

Liverpool Acoustic is a brilliant central resource for anyone interested in acoustic music in the Liverpool & Greater Merseyside.  I originally found out about the site while looking for gigs for my band CGW last year.  The site has a comprehensive diary of open mic nights, gigs and festivals happening in and around Liverpool, well worth a look if you're a musician or not!  

 

An Interview with Rachael Dunn

For this years first interview I was lucky enough to speak with Rachael Dunn, a north-west singer-songwriter who the Liverpool Echo described as having "warm, sweet, intoxicating vocals and gorgeous insightful songs."  Having performed on BBC Radio Merseyside her music has also been aired by several American radio stations.  Rachael's next album 'Alpha Ghost' is slated for a Febuary release.

You’ve become part of the Liverpool acoustic scene within the last few years what made you want to perform live?
My first live gig was May 2008 at 'The Mocha lounge' with encouragement from local poet and writer Amanda de Angeles I decided to share my music, Prior to that the idea of getting up in front of people scared me to death, and although my first live experience was nerve wracking and scary, I felt such a buzz and rush of adrenaline, overcoming fear can give you a real sense of achievement.

What drove you to write your music?
Being born into a very musical and artistic family was the driving force that lead me to be creative on many levels.  Visual art was my first choice of expression but I had an underlying fling with music, it's something I picked up and put down many times throughout my life. In March 2007 I found myself becoming more drawn towards music and after polishing up and improving my guitar skills the song writing started to flow.

Which artists/bands influenced you as you began to write? Would you say these people still influence your music?
I grew up listening to Kate Bush, Clannad, Japan and David Sylvian, my brother who is five years older, certainly influenced my musical ear. I’ve always had very eclectic taste and love 50's and 60's harmony bands like Dion and The Belmonts and The Everly Brothers. When it comes to my own style of music I think melody and harmonies are very important.

What inspires you to write?
My inspiration to write can be triggered by many things, all the things life throws at you, weather positive or negative I try to put a reflective or spiritual slant on what I’m writing about, rather than bitterness, pain or blame. I’m inspired visually by the beauty of nature and also the harsh contrast of the changing seasons.

How do you approach song writing, do you find it is different each time or do you have a formula that you stick to?
Generally I start with a theme or idea of what the song is about then I try to seek out the music on my guitar, after I have a melody I'll write lyrics and the song comes to life sometimes instantly other times more slowly over a matter of days or even weeks.

Which songs do you wish you could have written?
To me songwriting or any creative expression is so personal and individual that I never really wish I had written someone else’s songs. Although we all aspire and are appreciative of great music, your own songs are a little piece of you and you cannot be someone else.

A lot of musicians struggle or are reluctant to categorise their music what genre would you place your music in?
Everyone will have a different opinion so its difficult to pin down what my style is but if forced to categorise I would say Folk/acoustic organic and natural. Although with any genre of music you either like it or you don’t.

Are you writing at the moment?
I’m writing with musician and producer Alex Dun ford on various songs, for my forthcoming album 'Alpha Ghost' that I'm releasing at the end of February all being well.

What's coming up for you, any gigs or recording?
My next gig is on 26th Feb. The Folk Upstairs @ The Zanzibar and my album 'Alpha Ghost' will be available from the end of February and all the details will be on www.myspace.com/rachaelveronicadunn

An Interview with Rob Clarke.

Rob Clarke is a Liverpool based singer/songwriter his new album 'Portraits' is out next year. His work has an honest tone and quality which makes his finely crafted music all the more listenable. The Liverpool Echo has praised his work as being "memorable songs that... evoke the spirit of Liverpool." Rob spoke to me about his upcoming album and about how he goes about writing.



So in the beginning, what made you want to write your own songs?

I was listening to Gimme Shelter by the Stones - had it on downstairs loud enough I could hear it upstairs in the bath- I knew some other people who played guitar so I’d thought I'd leave that to them – didn’t want to follow the herd so to speak – but then it just suddenly struck me I was prepared to do whatever it took or spend any amount of time to play guitar even a bit, even just a few notes or chords...

Who influenced you as you began writing? Do these people still influence you?

From there I always wanted to write songs, everyone that I admired did that and it became the biggest part of it almost straight away – I was trying to write songs before I could play to any standard at all really and I soon found that was pretty much the best part. Have you read Shakey?(The biography of Neil Young by Jimmy McDonough) To me if I’m not sure about something I always try to think what Dylan or Neil Young would do – and if that doesn’t work I think what the Beatles or Stones might do – so they pretty much cover if for me.

Your song Long Way north, has some strong imagery, it reminds me of early Bob Dylan, would you say Dylan is one of your influences?

Yes, a friend of mine offered to get me a copy of North Country Girl when I said I’d heard it ages ago and was trying to remember it but he took a long time to give it to me – after a while I thought it must be easy to play from my memory of it – it didn’t occur to me to get it off the Internet for some reason – anyway in doing that I ended up doing my own type of version, thought that would be more productive.

So that’s how it happened – it was that and also playing in folk clubs where a lot of the songs people sing have narratives to them so I’ve also been influenced by that sometimes as well. Funny though when I play it very few people seem to pick up on how similar it is structurally...



What’s you’re instrument of choice?

Guitar is good, also piano although it sometimes seems more difficult to write on...

What would you say your muse is, what inspires you when you write?

Songs are all around but in saying that they can be easy or difficult to find depending on your state of mind. I think you can write about absolutely anything, anything that’s happened domestically or socially, people you come into contact with and especially things or events that go on in the world or where you live – I’m surprised really that more people don’t write songs about some of the big things that actually happen in the world for good or bad – maybe that’s a part of 'dumbing down'? John Lennon or Dylan weren’t afraid to write songs about real subjects... so what’s to fear? To me a song is basically just your own point of view about something - the judgement about how good or bad it is for later...

Once you get in the zone you can write about anything really – the ideas are all around but once you come out of the zone it can be difficult to see that – Recording and rehearsing can break the flow because you almost inevitably get into a different mindset...what does that tell you – stop rehearsing and recording!

Your song North to West, from you’re forth coming album, is just you and a piano do you favour a stripped back sound?

Yes very much – I like real sounding things but then again I like electric guitar as well so I want to do that ASAP as well...

How do you approach song writing, do you find it is different each time or do you have a formula?

No formulas for me anyway but wouldn’t rule anything out -instinct is probably better though...

You have a new album coming out soon called Portraits, what's the album have in store for listeners?

Ten stripped down acoustic portraits of people and in some cases animals... so if that’s your bag this one’s really for you! The publicity for it will say something like ‘Or an artist, two footballers and a hedgehog’.

How would you describe your music, genre wise? A lot of musicians struggle or are reluctant to categorise their music.

I’m trying to make it timeless I think.


Rob's new album 'Portraits' is scheduled for release on the 28th of February, you can find Rob's critically acclaimed previous album 'Long way North' available to buy on his myspace page here. Also on his myspace you can find his upcoming double A-side single, 'End of the End/Tracey Emins Blues' due to be released in early February.

An Interview with Aclaimed Norwegian Songstress Ragz

The first musician I spoke to for my series of interviews, songwriter-to-songwriter, was Norwegian born Ragz Nordset. Based in Liverpool she has recorded two EPs Little Stings & Love You Still and played with the likes of Laura Marling, Mumford and Sons & David Ford. Critically aclaimed, described by Liverpool.com as 'Startlingly original' and The Fly Magazine has described her as an artist who bares her "soul through beautifully crafted songs", she gave me the chance to see what inspires and drives her to make music.



Starting at the beginning, what made you want to start writing your own songs?
I can’t remember how old I was, but at some point as a young girl, I started writing. It was just this emotion or vibe inside me and it somehow made sense to make that into songs. As silly as it may sound, it has the same effect as hunger or thirst. If I feel hungry, I eat and if I feel a certain way, I write.

Who influenced you as you began writing?
I grew up listening to my dad’s vinyl collection which contained everything from led zeppelin to Motown and think that was already in me when I started writing my own songs. It’s hard to say what bands or which music influenced me early on, but I actually think the biggest influence was just my big brother. He played guitar and that’s how I started too.

What is your instrument of choice? Do you find that playing other instruments inspires you differently?
My instrument of choice will always just be my voice. Guitar and piano comes as a joint second. Even though I love playing both piano and guitar, they are still just a way for me to carry or inspire motions in my voice. It would be the same way with any instrument really, they trigger different emotions in me and that way inspire different kinds of melodies and songs.

What would you say your muse is, what inspires you when you write?
My muse... I suppose my muse is my life. It’s all based on pure emotion – any changes in myself or people around me will, if it’s significant enough, almost force me to write. The need to tell, express, release or scream about something will, more often than not, become a song.

How do you approach song writing, do you find it is different each time or do you have a formula?
I wish I had a formula, but the only thing that is always the same is the decision and need to sit down and start something. The melody, if I’m patient enough will come alive through the chords I try. I never know how it’s going to pan out, but I hear that is a normal observation for most songwriters.

You're Norwegian, so I was wondering did you start writing/singing in your own language and then switch to English? Did you find this difficult when writing?
I’ve sang both Norwegian and English songs whilst growing up, but I’ve always written in English. I suppose that’s because most popular music was in English in Norway when I grew up. I never thought ‘bout it till a little over a year ago and decided to change my approach a little. I only wrote my first Norwegian song last Christmas, whilst visiting family in Norway. I’m trying to write in both languages now, but it’s still easier in English. Ask me again in ten years and that might have changed.

You've supported the likes of Laura Marling & Noah and the Whale - artists coming from the London folk scene. Do you see yourself as having a lot in common with them style wise?
This is a bit of a difficult one as I still struggle to find artists that I feel I properly share ground with. Regardless of where I am, I stick out like a sore thumb, style wise. This because my music might look folk based (girl with acoustic guitar), but I actually don’t think I fit the folk genre in its traditional sense. On a personal level I feel like I’ve connected with many artists from different scenes. Style wise, I’m still developing.



Are you writing at the moment?
I haven’t written a song for a few weeks now, due to touring and travelling, but there are a few brewing at the moment.

What's coming up for you, any gigs or recording?
We’ve just finished a tour, but there are some northwest based gigs coming up for ‘Liverpool Music Week’ and other events. As for recordings, I reckon early 2010 will bring some studio time for us.

A lot of musicians struggle or are reluctant to categorise their music. How would you describe your music, genre wise?
It’s always about the song for me, which sometimes makes it hard to categorize, but at the moment I would refer to it as acoustic pop/rock. You never know though, as soon as we get the right producer involved, this might change depending on what suits and completes the songs. We shall see.


Ragz' music can be heard on her myspace: myspace.com/ragzmusic. Her EPs Little Stings & Love You Still are available to download, you can find the links on her myspace. Her finely crafted songs coupled with her brilliant voice make her well worth a listen.
I hope you enjoyed this first installment, the next interview will feature liverpudlian singersongwriter Rob Clarke.